History of Shoes.
Step into a modern shoe store and take a look around. High-heeled and platform shoes, boots, sandals, moccasins, wooden-heeled clogs, quite a variety for today’s shopper. Recent fashions? Well, not one of the footwear styles you see today is less than 400 years old! The History of Shoes is indeed interesting.
The loftiest high-heeled and platform shoes you can find today are flat pumps compared with some of the shoes in fashion during earlier European eras. No, our ancestors didn’t don stilt-like monsters to raise themselves above muddy streets, or for any other utilitarian reason. In former times, as today, shoe style was dictated by fashion, among the upper classes, at least. Class distinction via footwear? Yes, differentiation of shoe styles to indicate social rank is as old as Western civilization.
In ancient Egypt, the sandal demonstrated a person’s rank in society. Slaves either went barefoot or wore crude sandals made from palm leaves. Common citizens wore sandals of woven papyrus, consisting of a flat sole tied to the foot by a thong between the toes. But sandals with pointed toes were reserved only for the higher stations of society, and the colors red and yellow were taboo for anyone below the aristocratic rank.
Shoes have been regarded as a sign of dignity since well before the Christian era. In the book of Exodus, 3:5, when God appears to Moses in the burning bush, His first command is “Put off thy shoes from off thy feet, for the ground whereon thou standest is holy ground.”
Conversely, going barefoot has often demonstrated humility and piety in the presence of God. Hindu documents, thousands of years old, warn worshippers to remove their footwear before entering a shrine; and Muslim tradition demands today that shoes be removed before entering a place of worship.
In the days of ancient Greece, aristocratic women owned as many as twenty pairs of shoes, with a style to match every occasion. Slaves were employed solely to carry a supply of their lady’s shoes when she left home, assuring that she would be appropriately shod throughout her travels.
The Chinese custom of binding women’s feet to keep them small is many centuries old. Originally, the practice owed little to pedal aesthetics, bound feet were thought to insure faithfulness, since with such deformed feet the wife would supposedly find it difficult to travel very far on her own.
In the West, shoes have had a place in marriage ceremonies for many centuries. In some cultures, the bride’s father threw his shoes at the newlyweds to signify the transfer of authority from father to husband. In Anglo-Saxon ceremonies, shoes were as indispensable as the wedding ring is today. Instead of exchanging rings with her betrothed, the bride customarily passed her shoes to her husband, who then tapped her on the head with a shoe.
During the Middle Ages, in the colder climes, the sandal gave way to more protective footwear. Often, a single piece of untanned hide was wrapped around the foot and tied with a leather thong. Beginning in the twelfth century, the sabot, a shoe cut roughly from a single piece of wood, was the predominant footwear of the European peasant. In those times, the Dutch were not unusual in their use of the wooden shoe. In England, the sabot took the form of the clog, a fabric mounted on a wooden platform. In Japan, wooden shoes mounted on thin blocks three or four inches high have been worn for centuries. The Japanese traditionally selected their wooden shoes with an ear for the sound made by the wooden blocks, for a discordant pair of clodhoppers were considered the epitome of poor taste.
The long journeys undertaken by European crusaders made stronger, longer-lasting shoes a necessity, but medieval aristocrats still took their cue from fancy. The wearing of elaborate, unwieldy footwear was an indication of lordly rank, demonstrating that the wearer did not, and could not, perform manual labor. Such shoes were genuine “loafers.”
Pointed shoes originated in France, reportedly the invention of a Count of Anjou who wished to hide his deformed hooves. To assure that the peasantry did not ape the aristocrats, the twelfth-century French king Philip Augustus decreed that the points of his subjects’ souliers should be between six and twelve inches long, depending upon one’s station.
But the rush toward outlandishly long shoes went on unabated. Fashionable shoes were soon so long that their toes had to be stuffed to prevent the wearer from constantly tripping over the ends. In the fourteenth century, the points of shoes grew to such monstrous lengths that some had to be fastened to the wearer’s leg just below the knee.
The clergy objected vehemently to the fashion, claiming that the long-pointed shoes prevented the faithful from kneeling in church. In many communities, shoe-point length was eventually limited by law to about two inches.
In the sixteenth century, aristocratic French women began wearing high-heeled shoes so steep that the well-heeled wearer was literally standing on her toes when she wore them. Later, stiltlike wooden platform shoes became the rage in Venice. The heels eventually became so high that women could not walk in them, and servants were hired to help the ladies in and out of their gondolas. The fashion reportedly owed much to the Venetian husband’s desire to make sure his wife didn’t travel far while he was away, the same concern that motivated the Chinese to bind their women’s feet.
Among sixteenth-century Venetian prostitutes, the vogue for the stiltlike shoes was carried to absurd lengths. Eventually, high heels were proscribed by law, because of the high death-rate resulting from ladies of the night tripping and falling to their deaths.
Henry VIII initiated the vogue for wide-tied shoes in England, presumably to hide his gout-swollen feet. Shoes soon grew to such widths that Parliament passed a law limiting the width of a shoe to six inches.
That European lawmakers have historically taken such an oppressive interest in their subjects’ footwear can be partly explained by the way in which fashion was dictated in earlier centuries. To a great extent, the king himself was often the trend-setter, the aristocracy was expected to follow suit, and the peasantry was forbidden to emulate their betters.
Many monarchs opted for shoes that would best veil their physical shortcomings. If the fashion didn’t catch on naturally, well, laws could guarantee its implementation. For instance, the custom among men of wearing high-heeled shoes at the court of Louis XIV grew out of the Sun King’s desire to mask his diminutive stature.
Compared to modern footgear, the shoes of earlier centuries were, for the most part, highly uncomfortable. It wasn’t until the development of woven stockings in the seventeenth century that footwear could be made snug-fitting and shaped to the foot.
To give you an idea of the crudity of earlier shoes, it wasn’t until the invention in 1818 of the left-shoe last and the right-shoe last that the left shoe was constructed differently from the right shoe. Prior to that, either shoe could be worn on either foot with equal discomfort!
Until the introduction of mass-produced footwear in the nineteenth century, shoes were usually handmade in the cobbler’s shop, with nails or pegs used to bind the sole to the upper. As mechanization set in, machines were devised for sewing shoes together. By 1900, most footwear was being made, at least in part, by machine.
The first shoe manufactured in the United States was the handiwork of one Thomas Beard, a Mayflower pilgrim, who nailed together the first pair of American shoes in 1628. At that time, the colonists also learned how to make animal-hide moccasins from the Indians, and the moccasins became so popular in the mother country that the colonies began exporting moccasins to England as early as 1650. America’s first factory for mechanized shoe production was established in Lynn, Massachusetts in 1760.
Tanned leather has been a favored material for footwear since the Arabs introduced fine leatherwork in Spain in the eighth century. The leather-making trade of the Spanish Arabs was centered around the city of Cordova, to which we owe the origin of the cordovan, a soft, fine-grained leather shoe. As leather becomes more and more expensive today, shoe manufacturers are turning increasingly to rubber and synthetic materials for their products.
By the way, the average American woman now buys about five pairs of shoes each year, and the average man, about two pairs, as a rule men’s shoes last longer and remain in fashion longer than women’s footwear.
Each model of a modern shoe is manufactured in some 150 sizes, with length designated by a number and width by a letter. But a size ten shoe is not ten inches long, so where does the number come from? Believe it or not, it stands for ten barleycorns!
The English king Edward II decreed in 1324 that an inch was equal to three average-sized barleycorns laid end to end. The normal shoe was declared to measure thirty-nine barleycorns, and this size, for some reason or other, was designated with the number 13. Other sizes were graded from this standard, with one barleycorn difference between each successive size.
Today, the foot-measuring system used in England is one size different from the American system in both length and width. In metric countries, one size indicates a difference of about two-thirds of a centimeter.
Speaking of shoe size, the largest pair of shoes ever made, apart from those specially built for elephantiasis sufferers, were a colossal size forty-two, built for a Florida giant named Harley Davidson. (Yes, it’s the name of a British motorcycle manufacturer.) Let’s see, a size forty-two equals thirty-nine barleycorns plus twenty-nine, for a total length of some twenty-two and one-half inches!
A History of High-Heeled Shoes.
The high-heeled shoe, or a shoe whose heel is higher than the toe, is a matter of contentious and heated discussion. Shoes in general have typically served as markers of gender, class, race, and ethnicity--and both the foot and the shoe have been imbued with powerful phallic and fertility symbols as evidenced in the contemporary practice of tying shoes to a newlywed couple’s car. No other shoe, however, has gestured toward leisure, sexuality, and sophistication as much as the high-heeled shoe. Fraught with contradiction, heels paradoxically inhibit movement in order to increase it, at least in appearance. Standing in heels, a woman presents herself already half-walking while at the same time reducing the length of her step, fostering the illusion of speed while suggesting the promise of an immanent fall. The higher and more unstable the heel, the more clearly these contradictions are expressed (Kunzle 2004). Doctors and scholars alike have argued about the physical and cultural effect, both positive and negative, that heels have had not only on women, but on society as a whole.
Precursors to the High-Heeled Shoe.
Most of the lower class in ancient Egypt walked barefoot, but figures on murals dating from 3500 B.C. depict an early version of shoes worn mostly by the higher classes. These were leather pieces held together with lacing that was often arranged to look like the symbol of “Ankh,” which represents life. But there are also some depictions of both upper-class males and females wearing heels, probably for ceremonial purposes. Egyptian butchers also wore heels, to help them walk above the blood of dead beasts. In ancient Greece and Rome, platform sandals called kothorni, later known as buskins in the Renaissance, were shoes with high wood or cork soles that were popular particularly among actors who would wear shoes of different heights to indicated varying social status or importance of characters. In ancient Rome, sex trade was not illegal and female prostitutes were readily identified by their high heels (Wilson 2005).
Chopines, or platform shoes, were created in Turkey in the 1400s, and were popular throughout Europe until the mid-1600s
During the Middle Ages, both men and women would wear pattens, or wooden soles, that were clearly a precursor the high heel. Pattens would attach to fragile and expensive shoes to keep them out of the mud and other street “debris” when walking outdoors (Swann 1984). In the 1400s, chopines, or platform shoes, were created in Turkey and were popular throughout Europe until the mid-1600s. Chopines could be seven to eight or even 30 inches high, requiring women to use canes or servants to help them walk. Like pattens, chopines were overshoes, but unlike the pattens, chopines were worn almost exclusively by women (Rexford 2000). They were usually designed with cork or wood stacked as the heel.
The Venetians made the chopine into a status symbol revealing wealth and social standing for women, and tourists to Venice often remarked humorously on the outrageously high chopines. One visitor noted that they were “invented by husbands who hoped the cumbersome movement [that] entailed would make illicit liaisons difficult” (McDowell 1989). Already we can see issues of domination and submission being associated with shoes much like the lotus shoes of China. Indeed, Chinese concubines and Turkish odalisques wore high shoes, prompting scholars to speculate if heels were used not only for aesthetic reasons but also to prevent women from escaping the harem (Kunzle 2004).
Shoes were beginning to be made in two pieces during the 1500s, with a flexible upper attached to a heavier, stiffer sole (Swann 1984). This new two-part shoe led to the heel as an actual part of the shoe rather than just an attachable overshoe. Heels grew in popularity during the 1500s to keep riders, both male and female, from slipping from the stirrups. The “rider’s heel” was initially 1 to 1-½ inches high and resembled the modern riding boot and cowboy boot. The simple riding heel soon gave way to more stylized heels that were higher and thinner in the mid 1500s after Catherine de Medici made them more fashionable than functional.. The introduction of the high heel and the concomitant difficulty of making mirror image lasts (a foot mold used to make shoes) led shoemakers to create “straight shoes” or shoes that could fit either the left or right foot (Mitchell 1997). Right and left shoes would eventually return in the early1800s when high heels were abandoned (Swann 1984).
WOMEN'S SHOES AND BOOTS.
Women’s shoes have evolved from their origins as protection against nature and the elements to become featured items in every woman’s wardrobe. The versatility of women’s shoes is unrivaled by footwear designed for the opposite sex- women’s demands have driven the market to respond by providing shoes for every occasion in any setting under all conditions. Of course there are utility fundamentals incorporated in every design, but women’s shoes today are a make or break element of every outfit.
Women's Dress Shoes.
Necessities in women's dress shoes include women’s pumps, women’s flats, and women’s slides. You’ll be hard pressed to find a closet without women’s wedges and women’s mules. For many there has to be room for women’s slingbacks and women’s high heels. Don’t think for a minute that we’re overlooking essentials like women’s espadrilles. Premium leather shops like Coach, Gucci, Prada and Cole Haan are driving buyers to their brands for quality, look and feel. The choices in women’s shoe shopping appear endless- unless of course you just haven’t been able to find exactly the right pair to work with your new dress!
Women's Casual Shoes.
There’s a feminine take that shows in today’s women’s clogs, women's mary janes, women's walking shoes and other casual shoes for the ladies. Today a typical women’s shoe department will have a variety of materials to complement the reliable service of leather. From ostrich to alligator, cloth to canvas and sheep to lambskin, shoe materials are crucial to maintaining the variety that women are looking for in their casual shoes. Colors are critical and the importance of brand has risen dramatically over the history of footwear. Today a label like Clarks, LaCoste or Naturalizer might be the difference in a shopper’s decision to purchase or not.
Women's Boots.
At one time boots were a utility footwear and women considered them sparingly. Along came a tune by Nancy Sinatra, more recently covered by Jessica Simpson, and women's boots began taking a prominent spot in every woman's closet. It's no longer just about women's cowboy boots, women's western boots or women's Uggs- today the footwear flush woman has her feett in fashion boots from women's dress boots right down to women's rain boots. Boots are proving to be a kick, and it's no longer just a men's game. Women's boot fashion has taken the lead over the older market in men's boots, and there's no sign that women have any intention to relinquish it. There's more than women's winter boots, women's snow boots or women's work boots to consider these days, and women are stepping up to make sure they get the most use out of one of the original footwear styles on Earth!
Women's Athletic Shoes.
I't not just about the sneakers anymore- women's athletic shoes have come a long way, Baby! There's hardly a color, print or material that you won't find women's atheltic shoes in these days, and there's more to come. From famous designers to the largest athletic shoe manufacturers like Nike, Puma, Adidas and New Balance, women's athletic shoes are a staple of every woman's wardrobe for fun or action.
While the options among the shoes themselves have become epic, the ways to purchase seem to be growing at the same rate. From the old family shoes store to national shoe chains and the emergence of the internet as a primary source for women’s shoes, the opportunity to satisfy our own footwear desires is ever-expanding. Whether driving down Main Street or watching television, shoe buying options will present themselves. And with women’s love for shoes being as great as the selection offered, having all these great options can’t be a bad thing!